Conrad Jon Godly: To See Is Not To Speak

The exhibition's 15 extraordinary pieces expertly straddle both abstract and hyperreal, with photo-realistic mountains which drip from the canvas.

Up close, viewers can enjoy Conrad's thick and heavy impasto marks, with frosty oils mixed with turpentine and his trademark wide, sculptural brushstrokes. But step back, and you might be looking at a photograph, staring down a misty precipice or gazing up at snow-capped peaks.